ROB LOWE CASTS HIS LOT WITH STEPHEN KING

Mark Dawidziak
Plain Dealer Television Critic
June 20, 2004

The combination of special effects, spectacular stunts, and supernatural storytelling can be downright scary for the actors, that is. All right, you expect to hear a horror story or two about on-set injuries when bodies are flying around as much as they are in Salem's Lot, TNT's two-part adaptation of Stephen King's 1975 vampire novel.

But even jaded Hollywood types were intrigued by the curious terror tale Rob Lowe told after working on Salem's Lot. He returned from location filming in agony. It was his right wrist giving him trouble. Shaking hands was excruciatingly painful.

There had been no bad fall during the location work in Melbourne, Australia. He couldn't remember any special-effects explosion going wrong. Why was he in so much pain?

The mystery was solved when Lowe looked at scenes from Salem's Lot, which TNT will premiere at 8 tonight and 8 p.m. Monday. There was his character, writer Ben Mears, driving one stake after another into the undead things all around him.

It suddenly dawned on him like the morning sun hitting a vampire out of his coffin.

"I realized it was from staking people", Lowe told TV critics in Hollywood. "You got staking elbow?" Staking Elbow? "It's like tennis elbow, but it's vampire elbow. Because I would actually stake into these sort of really heavy bags of sand, so it was like a body. And I think it just wore me out. But I played injured.

Written under the mighty writer who returns to his small Maine hometown. Ben recalls how, as children, he and his friends would dare each other to go near the creepy and deserted Marsten house. It's a memory that still haunts him. The house has a tragic history, and it's about to build on that legacy. The new occupants are powerful vampire Kurt Barlow and his equally evil human partner, Richard Straker. The town soon is crawling with vampires, so Ben teams with waitress Susan Norton, Catholic priest Donald Callahan and his former grade school teacher, Matt Burke, to battle the forces of the undead.

This is the second TV go-around for Salem's Lot, first made as a two-part drama in 1979. That CBS version starred David Soul, James Mason, and Bonnie Bedelia. Why remake it 25 years The CBS adaptation "was the very first thing I ever taped off of TV on my Betamax, so it has a special place in my heart, "Lowe said. "But the truth of it is that you couldn't deal with the horror and the intensity in 1979. You couldn't push the envelope in terms of special effects."

"Also, in the themes that Stephen deals with in the book, they didn't deal with any of that in the early version, because TV wouldn't let them. So this is a really true adaptation of the book, which wasn't done the first time because they couldn't do it."

King had no direct involvement with the TNT remake, but he was impressed by the cast, which features Mathis as Susan, Andre Braugher as Matt, James Cromwell as Donald, Rutger Hauer as Barlow, Donald Sutherland as Straker, and Dan Byrd as young Mark Petrie. The 1979 version tossed aside King's description of the handsome, elegant Barlow. Instead, actor Reggie Nadler's vampire was made up to resemble Max Schreck in director F.W. Murnau's 1922 version of the Dracula story, Nosferatu. TNT director Mikael Salomon and writer Peter Filardi have restored the book's concept of Barlow.

Still, purists beware, some changes have been made to update the story and add twists to the character. Ben, for instance, has been given considerably more baggage than bad dreams about the Marsten house.

"He's only the hero by virtue of the journey he goes on through this piece," said Lowe, who played idealistic Sam Seaborn on The West Wing. "When you meet him, he's disillusioned. He's cynical. He's jaded. He sells people out to write tell-alls about them. . . . So he has to find redemption throughout this piece."

Having starred in the ABC miniseries version of The Stand, Lowe already has staked his claim on the horror genre in general and King territory in particular. Adding the TNT project to his resume was gratifying because he considers Salem's Lot, The Stand, and The Shining to be the cornerstone of the frightmeister's work.

"I love Stephen King," said Lowe. "When he's adapted well, and this is a really great adaptation, and when the filmmakers spend time on the characters and don't rush right into the horror, I think he's one of the greatest writers for the screen."




MUST HAVE
A terrifying new take on the classic best seller comes to DVD!



TNT's 2004 STEPHEN KING MINI-SERIES SALEM'S LOT COMES TO DVD
David Lambert
July 15, 2004



In a small town, evil spreads quickly. Journalist Ben Mears (Rob Lowe) returns to his hometown to research the mysterious memories that have haunted him since childhood. But soon, the closely held secrets of small-town life turn into unimaginable terror when a fearsome stranger arrives looking to sink his teeth into a new home. Rob Lowe, Donald Sutherland, Andre Braugher, Rutger Hauer, James Cromwell and Samantha Mathis star in this terrifying new take on the classic Stephen King novel.

Street Date: 10/12/04
Run Time: 181
Aspect Ratio: Original
Aspect Ratio - 1.77, Widescreen [16:9 Transfer
Sound Quality: English: Dolby Surround 5.1
Subtitles: 1 English, 2 Francais
Closed Captioning: Yes






SALEM'S LOT SOUNDTRACK GETS RAVE REVIEWS
musicformthemovies.com

The soundtrack from Salem's Lot was recently reviewed by Mikael Carlsson of Music from the Movies.com and gave it 4-1/2 checkmarks out of 5. Here's what he had to say:

I had a thought. Sometimes it seems that high profile television projects offer more room for musical creativity than blockbuster movies do these days. Varèse Sarabande has released an impressive amount of very good TV scores, big scores for the small screen.

The underrated score Richard Harvey wrote for Animal Farm is one example, Lee Holdridge’s The Mists of Avalon, and Anne Dudley’s exciting score for The 10th Kingdom and two others. Thanks to this label, we have also had the chance to enjoy the music of Australian composer Christopher Gordon, whose scores for Moby Dick and, in particular, On the Beach have impressed critics and soundtrack aficionados all over the world.

Add to this Gordon’s latest effort, the dark and extremely well-crafted horror music for Mikael Salomon’s new TV version of Stephen King’s Salem’s Lot, starring Rob Lowe. This is a superb score and the album features over one hour of thrilling horror music of the highest quality – and, to getting back to my introduction, much more exciting and original than the majority of music written for big theatrical features these days.

The album starts with a stunningly beautiful piece written by Lisa Gerrard (given an additional music credit on the album) and Patrick Cassidy, ’Salem’s Lot Aria’ (Cassidy wrote another operatic piece for Hannibal a few years ago).

Written for strings, organ and Gerrard’s unique voice, this piece introduces an album which then continues in a similar dark but much more violent and avant-garde score by Christopher Gordon. He has created a work with dense orchestral and choral colours, ominous clusters and frightening effects. The score is not atonal, but dwells a lot on avant-garde devises.

The first score cue, ’Thanksgiving’, features satanic choral chants, shrieking strings, stark chords for woodwinds and violent effects from the French horn section. Fascinating low flute arpeggios and organic woodwinds create a unique and highly disturbing atmosphere in ’In the Woods’ which, like many other cues on the album, features a lot Penderecki inspired string writing.

You can hear that a very large string ensemble was used to record the score in pieces like ’Straker’ and ’Mike Ryerson’, two chilling pieces filled with extraordinary string writing in modernist style, inspired by Penderecki pieces like ’Polymorphia’ (used in The Exorcist) and the Hiroshima ’Threnody’. Brass is used to highlight the action with exciting effects.

The chorus is used occasionally for the aforementioned satanic chants, but for the most part its heard in low, subtle clusters that creates an eerie, low-key backdrop for orchestral effects. The choral writing is particularly exciting in ’Converting the Priest’, where a lot of difficult glissandi slides leads to a dark hymn featuring Lisa Gerrard’s voice - the way the lower register of her voice is used is breathtaking in this cue as well as in ’Bloody Pirates’, her own composition ’Free in Spirit’ and the surprisingly beautiful ’Salem’s Lot Theme’.

Another choral highlight is ’Mutans Evae Nomen and The Mansion Burns’ where one of the main themes in the score is given an epic treatment for the full forces of the orchestral and vocal ensembles. Here, it’s impossible not to think about one of Jerry Goldsmith’s finest works, The Final Conflict.

The avant-garde horror scoring is balanced by equally dark, but more reflective music where the piano is featured prominently. ‘Jerusalem’s Lot’ introduces a theme based on genre-typical minor chord progressions. More piano is heard in the beautiful ‘Dud and Barlow’, which ends with a beautiful adagio for choir, another highlight on the album.

Pro Music Sydney performs the demanding music on this album with great skill, and the score is brilliantly recorded by Christo Curtis. In my opinion, Salem’s Lot is one of the best film music albums so far this year. Mind you, this is not easy listening! But it certainly is interesting music.

Composers: Christopher Gordon and Lisa Gerrard
Conductor: Christopher Gordon
Orchestration/Arrangement: Christopher Gordon
Producer: Christopher Gordon
Label/No.: Varèse Sarabande VSD-6586
Year of Release: 2004
CD Release: 2004
Total Duration: 63:26






ROB LOWE POSES FOR CAMERAS,
BUT TURNS DOWN A CHAT

theage.com.au
April 27 2003

Hollywood actor Rob Lowe plays a journalist in his latest film but yesterday he wouldn't have a bar of them.

But apparently he can pick a good horse. The star recently signed on to shoot the spooky $US15 million ($A24.4 million) television mini-series Salem's Lot, in Australia.

Hobnobbing it with Sydney's social set at Royal Randwick racecourse yesterday, Lowe briefly posed for photographs with his co-star Samantha Mathis, but knocked back several requests for a chat.

Lowe, 39, was a teen idol in the 1980s after starring in films like St Elmo's Fire and Youngblood. In recent years he was one of the leads in the US TV series The West Wing but the actor left the show last year.

Closely watched by two bodyguards today, Lowe enjoyed all the swanky trimmings of the third day of the San Miguel Australian Jockey Club (AJC) Autumn Carnival, sipping on champagne and having an occasional punt.

Just before race number five, Georgette Jackson, a Qantas Lounge hospitality worker was one of the few people to briefly chat with Lowe, a fellow guest in the Emirates marquee.

Ms. Jackson walked away financially better for it.

"I just happened to be there and I didn't have my glasses and couldn't read the guide," she told AAP.

"He (Lowe) said 'I'd back Pentastic' so I went back to the betting counter, drooling, dribbling ... and put five bucks on it."

She said the $24 windfall wasn't a big win, but more than she started with.

The Australian film industry, suffering from a lack of big-budget US television movies, has its fingers crossed the Salem's Lot mini-series will spark similar American TV shoots down-under.

Production on Salem's Lot began in Melbourne this month.

US cable TV network, TNT, is funding the mini-series based on author Stephen King's best-selling novel.

In Salem's Lot, Lowe will play a journalist who returns to his home town and discovers it has been taken over by vampires.






SALEM'S LOT 2004
MoviesForTheSoul.com
August 3, 2007

There is something strange going around in Salem's Lot when Ben Mears/Rob Lowe,a journalist with traumatic memories of his haunted childhood, returns to find his hometown being almost invaded by vampires.

Decedes ago, as a boy he took a dare and broke into the Marsten House, a local mansion having a misfortune of discovering the corpses resulting from a scandalous murder or suicide.

In present he returns to find that a mysterious antiques dealer, Donald Sutherland/Richard Straker and his mysterious business partner, Rutger Hauer/Kurt Barlow have moved into the Marsten House. Soon the Townspeople begin disappearing . . . only to return, flying by the window frames of their loved ones and begging to be let in. Only Ben and a few allies of him are convinced that something unholy has overtaken their town, something from the haunting nightmares of Rob Lowe's character.

How this story ends is up to you to find out, or like Rob Lowe said, "And now I am comforted by the thoughts of the town I see, Autumn Hills, I peddle my favourite bike down Main Street. They say that you can never go home again, but I did, I came back to my town. And in the dark the town is yours and you are the towns and together we sleep like the dead, like the stones in the old north field".

Sleep tight reader.






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